Development of Turkish Rug in Anatolia
Three more carpet fragments from the Selcuk period were discovered in 1930 in the Esrefoglu Mosque in Beysehir. Today, these rugs are displayed in the Mevlana Museum in Konya and the Kier collection in London. A third group of carpet remnants was recovered in Fostad (old Cairo) in 1935-1936. These 7 rugs from Fostad were identified as having originated in Anatolia in the 14th century. The most common design characteristic of the 18 rugs before mentioned are the Kufic border, the eight-pointed star, and the hooked (geometric) motif. The Turkish rug, which originated in Central Asia, preserved all of its characteristics until the 14th. Century. After the Ottomans gained control over the whole Anatolia changes began to appear the composition of the field, in the characteristics of the motifs, and in the sizes of the still traditionally woven Turkish rugs.
During the Ottoman reign, Several Turkish tribes decided to settle down and built a number of villages and small towns. Notably, the village of Hereke was settled on the edge of Marmara Sea some 60 kilometers east of Istanbul. The first court carpet workshop was established in Hereke and began to weave carpets of unusually large sizes to be used in decorating Ottoman palaces. These exceptionally fine rugs were also used to tie and retie relationships with European countries in time of war and peace and so they were given as gifts to kings and queens, as well as to key army commanders and statesmen. Towards the end of the 14th century, these rugs which were the finest examples of the eye and hand harmony, began to enter European homes, churches and castles thanes to intermediaries such as merchants Florence and Genoa.
During the 14th and 16th centuries, Turkish rug designs appeared prominently in many European artists' paintings, with the rugs so depicted being of Anatolian origin. These paintings were subsequently named for the respective artists, for example, Holbein, Lotto, Memling, Van Eyck, etc. In the beginning of the 16th century, every European prince owned a private carpet collection. (Herman Haack, Echte Teppich- Eastern Rugs). In Vienna, the people were allowed to own rugs after 1671. When the Turks left Vienna, many Turkish rugs were left behind in their tents. This allowed fine Turkish carpets to become known by the European populace. A short time thereafter, the kings and queens of Europe began to open their castles and palaces, as well as their residences, to visitation by their subjects. This in turn spurred European interest and thereby dramatically increased the demand for hand-knotted Turkish carpets.
In the 19th century, additional court workshops were opened in Istanbul in the districts of Kumkapi, Topkapi and Uskudar. And in 1891, Sultan Abdullhamid II increased the number and sizes of the carpet workshops in Hereke, and thus, the exquisite carpets woven in Hereke became more plentiful. Throughout their development- from Central Asia to the Caucasus region to the Anotolian plains, steppes, and coastal areas, and through the Selcuk and Ottoman eras Anotolian rugs have maintained the purity and characteristics of their origin. Turkish court rugs were originally influenced by sources brought under Turkish control, but which were modified Turkish standards and requirements. Thus, Turkish rugs reached their deserved place in Europe. Rugs from Hereke, Usak, Bergama etc. became well known and kind increasing in demands continuing to increase with time. Anatolian rugs are unbelievably rich in design, color and symbols. Today, these fine rugs are woven in more than 750 villages and tribal (namadic) areas. Each of these rugs differs from each other by their particular design, symbolism, and relative size; these characteristics are passed on from mother to doughtier, and thus for centuries they have kept same design, symbols, and beautiful shades of color.
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